Lavender Lounge
17May/120

The Summer Of Summer – Donna Summer Dead at 63

I feel I need to write a blog entry following the death of Donna Summer because her music was so influential to my coming out. It was an important time for many reasons, and this personal story will help illuminate that period.

I came out during the summer of 1975 between Sophomore and Junior years in college, and by “coming out” that meant going to gay disco bars (to meet men). Prior to coming out I was a fan of punk rock, but liking disco was synonymous with being gay, so I didn’t have much choice.

I had just moved into my new apartment for Junior year and I had been named Assistant Music Director at the college radio station. I had also just purchased the first consumer grade DJ mixer and set it up in my new apartment for the first time (with two unmatched belt drive turntables). One of my closest gay friends, Chuck, came over to see my new apartment and listen to the new records I brought over from the radio station to review. Chuck was one of my gay mentors because I was very naive about the gay world. The gay community as we know it was brand new and totally underground, so you needed someone to fill you in.

Donna Summer Giorgio Moroder

Donna Summer and Producer Giorgio Moroder

Going through the pile of records, Chuck pulled a couple choices that, from that moment on, would influence the rest of my life. In that one batch were the first offerings from:

-Village People
-Ramones
-Sylvester
-Giorgio Moroder
-Donna Summer

I could write at length about each of those names, but for now let’s concentrate on Donna Summer and Giorgio Moroder. It was the genius of Giorgio Moroder as producer that separated Donna Summer from every other R&B diva. The electronic sounds and beats he created had never been heard before and with the addition of a powerful black female voice, “I Feel Love” stood out from everything else played in the gay disco. It was not Motown, it was not horn-influenced “The Sound of Philadelphia”, it was not radio-influenced music from NY or LA. It was a mythical “European” sound and ultra modern, and at over 7 minutes in length, it was not meant for radio.

The culture was still trying to figure out “what” disco was. The concept of two records overlapping and blending into each other for more than a few seconds had only been explored for a couple of years. People still danced to juke boxes in many gay bars, and buying a dedicated sound system and hiring a DJ was only starting to become a trend. Unbelievable as it sounds, “disco” records were not played on the radio because they were often up to 20 minutes in length and didn’t fit either the Top 40 radio nor the rock and roll format of “progressive radio” on FM.

When a Donna Summer song was played in a gay disco during that summer, it was instantly recognizable and the boys all moved to the dancefloor in unison. She was our diva and everyone equated Donna Summer with anything (and everything) gay.

In 1979 I was a DJ in a gay bar in Detroit called The Gas Station that was as underground as you could possibly get. You entered through an alley, there were no windows and there was no sign on the door. Remarkably, though, early one Friday night a handsome yuppie introduced himself as a record company rep and brought me a 12″ record of “Enough Is Enough” by Donna Summer and Barbra Streisand. Donna AND Barbra singing a duet???!!! Oh, my queer god, I had died and gone to gay heaven! Though it’s too vocal-heavy to be considered a definitive “disco” record, it is no doubt an important classic that blew us all away for an entire season. The slow build to the crescendo still gives me chills.

Fast forward to Halloween 1995 and I was the Entertainment chair for the Sisters’ huge outdoor party for 100,000 people. I chose “Enough Is Enough” as the finale with two powerful divas (Paul Anelli and Richie Waits) to sing it live with fireworks blowing off at the end. It was the last Halloween the Sisters produced and a fitting end to that 5 year run.

After that nostalgic disco break, we return you to our regularly scheduled gay porn programming…

9May/120

Dirty N Hairy – Chad Brock

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I know what you’re thinking: “Did he shoot six loads of cum, or only five?” Well, to tell you the truth, in all this excitement, I’ve kinda lost track myself. But being this is a 44 Magnum condom, the most powerful prophylactic in the world, and would blow the head of your dick clean off, you’ve got to ask yourself one question: “Do I feel lucky?” Well do ya, punk?”

We had a little fun with still photos after the shoot with Chad Brock and Nick Moretti. Chad Brock just looks so fucking hot in cowboy gear, we decided to play it up. I had a holster, but no gun, so Nick suggested he hold the black dildo like pistol. He instantly turned into Clint Eastwood in “Dirty Harry”. The scene was certainly dirty, and those two daddies are plenty hairy.

DO YOU FEEL LUCKY, PUNK? CLICK HERE

9May/120

Obama Supports Gay Marriage

Lavender LoungeThe news media will be flooded for the next few weeks about President Obama’s announcement on ABC television today that he supports gay marriage. Mostly, it will be the opposition making fire-and-brimstone predictions that the world will stop spinning on it’s axis, with floods, famine and raining toads coming next.

Yes, it took a lot of courage for the very first sitting president to come out in support of same sex marriage, but it was a long time coming. However, making that simple statement of position doesn’t actually change any policy. He still supports the right of individual states (like North Carolina) to decide whether to legalize it there. There is no action being taken to end DOMA, other than refraining from going out of their way defending it. And there is no condemnation of mixing religion and politics to oppose it.

My fear now is that it could hurt him in the election. Now is the time to rally the liberal troops and get out there to battle the conservatives with reason and facts, and have the leader of the free world on our side – at least for the next few months… This pronouncement could backfire if it’s too soon.

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8May/120

…and now, for something completely different…

gay porn

gay porn
I just wanted to show that I have interests that are not always prurient. There is more to my life that big dicks, hairy chests, chains, floggers, slings, and nasty men doing dirty things to each other.

Over the weekend I visited some friends on a farm, and their neighbor allowed us to come over for a puppy viewing. These are 4 week old Standard Dachshunds and in a few weeks they will be selling for $1,000 each. They are still at the age where their eyes are barely open and they are kinda still just crawling. I’ve never touched a $1,000 dog before.

The runt seemed to be the most active and animated. She loved licking my beard for some reason.

2May/120

Hairy Daddy and Smooth Boy



In going through my list of scenes to start grouping them together for upcoming DVDs, I noticed that I have a couple scenes already shot that feature daddy/boy couplings. I think there is a future for scenes that feature an aggressive older man and a submissive younger guy, aka “daddy/boy” scene. Ever since this scene with Nick Moretti and Blue Blake appeared on Lavender Lounge, I’ve gotten a lot of compliments for it.

The daddy/boy phenomenon is not new, but in most cases people are disgusted by inter-generational pairings. They automatically think that the boy is either being abused by the older man, or the younger one is a gold digger with no true feelings for the benefactor. Those make for good story lines in porn because either could be true in real life. But if you get the right two guys that are really interested in each other sexually (at least for a couple hours while the camera is rolling), it doesn’t really matter who they go home with after the shoot. Porn is a fantasy, and you can make up your own story in your head.

Plus, there are some customers that have certain fetishes that have nothing to do with the age of either partner. When most “size queens” see a big cock they like, it doesn’t matter what that big dick is attached to or who’s ass it’s plunging into. Size queens want to see big dicks, period, (and as a pornographer, I’ll take your money either way). But it’s not just size queens. Muscles, hairy chest, ethnicity, tattoos, etc. could be the driving force that attracts customers to either the younger or the older guy.

But I think the real audience for daddy/boy scenes are the guys in their 40s and 50s that were at one time, a major part of the gay scene and still have the same sexual urges they had in their 20s. They’re still attracted to the same type of guys they were attracted to 20 years ago, though it’s harder and harder to hook up in real life. By looking at porn that not only has their sexual ideal as well as someone of their own age, they can live vicariously through the guys on the screen. It’s almost the same mindset as in straight porn where the customers don’t want the male to be too attractive because it distracts from the girl they really want.

Or something like that. Who the hell knows what anyone wants to see, anyway? I crank out the porn, you vote on what you like with your dollars. I will keep shooting whatever you keep paying to see. Deal?

DO YOU LIKE TO SEE OLDER MEN WITH YOUNGER GUYS? VOTE WITH YOUR DOLLARS.

1May/120

We’re All Sharon Needles

Lavender Lounge

Ru Paul really pissed me off last week. With all the anticipation for the season finale destroyed by making us wait another week to announce the winner, I was ready to punch her eyelashed lights out. But I have to give Ru Paul credit for making the show better every season and for single-handedly saving the Logo Network. (No other shows on Logo are even watchable.)

As you all know by now, Sharon Needles was crowned the winner last night, and though it was a close race, she’s clearly the right choice. Ru Paul and the producers of the show, World Of Wonder, come from the New York underground club kid scene. Sharon Needles is the one closest to that aesthetic.

At the end of last week’s show, I thought that Chad Michaels might have a shot. But he didn’t actually win many weekly challenges and always kinda stayed under the radar. It’s called understated elegance but that doesn’t necessarily translate to a crown. Chad Michaels was a class act the whole time, didn’t make one mistake, always had a variety of very different looks (which actually worked against him), but at the end of the day, he didn’t fit into Ru Paul’s crowd.

Phi Phi also came from a different peer group. His form of drag is more the gowns-and-crowns variety, the mainstay of the girls who enter pageants. Chad Michaels is more like a Vegas act or the one-man show tradition of Jim Bailey or Charles Pierce. Neither would make any waves in the New York club scene where Ru Paul cut his teeth.

Latrice Fucking Royale  was awarded Miss Congeniality, which I don’t recall them ever offering as an award before, but she truly deserved it. Latrice was the Den Mother and the voice of reason throughout the season. Early in the season, I thought she might win, but she fell short in some areas. But she, too, comes from a different drag tradition, and girls from the South have a different approach to drag. Gay bars in the South actually present entertainment and put on a show, and a few of the drag queens can actually make a living doing it. It’s quite different than the drag scene in New York, LA or San Francisco.

Sharon Needles, though hailing from Pittsburgh, PA, comes from a club kid tradition that was influenced by people like Michael Alig and the New York club scene. It makes sense that Ru would choose someone to represent “the business” Ru Paul has created. Besides having the look, Sharon Needles has a quick wit, he’s honest, and extremely talented in ways that always surprise. Sharon Needles is not the first drag queen to do a goth look, but he does it really well.

29Feb/120

Strand Theater To Be Revived

Strand Theater Revival

Strand Theater In It's Heyday - Soon To Be Revived

This morning I was thrilled to read that the Strand Theater is soon to be revived. American Conservatory Theater has purchased the building to re-open as a live theater venue. The Strand holds a special place for me in that on my very first day in San Francisco I spent the afternoon watching a matinee, but there is more to the story.

It was October of 1981 and I was temporarily staying with a college friend in Santa Cruz. I drove up for the day to investigate the City. I knew San Francisco was gay, but I had no idea how gay it was. I didn’t know there were gay neighborhoods, I didn’t know there was a gay parade, or gay gyms, and I had never seen a gay bar with windows.

At the time, my friends and I would go to movie matinees a couple times a week, so that activity was part of my routine for a day off. With no iPhones or internet to check theater listings, I saw a flyer for the Strand theater but didn’t know the address. I went to a payphone (!) and called Information for the number.

If calling 411 from a payphone is not antiquated enough, there were still live operators that looked it up for you. Directory Assistance was robotic even before they actually became robotic, but on this occasion when asked for the number of the Strand Theater, an extremely nelly voice jumped out of the phone exclaiming, “Oh, you’re going to the Joan Crawford Double Feature!” Not only was I already taken aback by that statement, but what he said in the next breath when he switched to a deep, sexy voice absolutely floored me:

“Front row of the balcony. Here’s your number.”

I was too naive and nervous to actually investigate the balcony that day, but I will never forget that story.

Strand Theater

Shabby-Chic Strand Theater Today Soon To Be Revived

Throughout the 80′s the Strand Theater was a legitimate choice for 2nd run films, often showing double and triple features for one price, and one of the last theaters you could walk in or out between scheduled show times. I remember seeing “Eraserhead” there, a film that would never get shown in a theater if it were released as first-run today. It was also the place to see “Rocky Horror Picture Show” at midnight for many years.

Here’s what CinemaTreasures.org says:

This theatre opened on October 27, 1917 as part of the Grauman chain. It changed hands shortly thereafter and would change hands again in 1925 and 1939.

The West Side Theatre Company operated the Strand Theatre from 1940-1977. With the advent of television in the 1950’s and Market Street starting to decline in the 1960’s, the attendance at the theatre dropped (along with a change in the audience). Programming was triple bills, changed daily, with nightly bingo games.

Mike Thomas and a partner bought the Strand Theatre in 1977. (Thomas would also acquire and operate several other Market Street theatres around this time: the Warfield Theatre, the Crest Theatre, and the Embassy Theatre. He would later start up the independent film distributor Strand Releasing.) Thomas redid the theatre and hired security to help clear out undesirables. In June 1977, Thomas reopened the Strand Theatre with a revival of the Howard Hughes production of “The Outlaw” (which premiered originally down the street in 1943 at the United Artists Theatre aka Market Street Cinema). The show sold out and the Strand Theatre would become a well-known venue for revival cinema. The Strand Theatre also became a popular venue for midnight showings of “The Rocky Horror Picture Show”.

The mid-1980’s took a toll on the Strand Theatre. Home video took a bite into the revival theater business. Market Street would decline further. Then the October 1989 Loma Prieta earthquake would cause the Strand Theatre to close temporarily. (Its neighbor, the Embassy Theatre, wasn’t so lucky, as it was too badly damaged to reopen.) When the Strand Theatre reopened, it was sold to Silver Screen Amusements. (Thomas would still book the theatre.)

In June 1994, the Strand Theatre closed, only to reopen weeks later as a porn theatre showing projected video. The theatre deteriorated even further as it became a haven for crack dealers and hookers. Finally, in early-2003, the city of San Francisco would raid the theatre and shut it down for good. This was also the end to theatres that showed movies on Market Street.

23Feb/120

“Wanna Come To My DJ Night?”

A friend posted a message on Facebook that he wanted to get turntables and start DJing. Ugh! We don’t need another DJ in this town! EVERYBODY calls themselves a DJ! I teased him about it on Facebook and posted this clip from Portlandia. It pretty much sums up the situation. I am tired of getting 20 messages a day on Facebook about somebody’s DJ gig.

Why are DJ’s so revered? They didn’t make the music. A DJ takes music that somebody else created and puts in a certain order and hopefully one song overlaps another in a pleasant way. Period. Applause, applause.

If I grab photos from a bunch of different porn sites and put them on my blog in a certain order with the edges overlapping in a pleasant way, should I invite people to come watch me do that at a bar? Would the bar pay me to do that? Should I pass out flyers for it?

“Oh, I have my own unique sound.” In other words, you throw in some oldies. Brilliant. Cutting edge. Nobody ever tried that before. There are a finite number of records that have been produced since popular music was first released on LPs, 45′s, and CDs starting in the late 1940s and early 50s. DJ’s of this generation really only go back to the late 50′s, but mostly just from the mid 60s to present day. But, they get the best response from music made in the 80s and 90s because that’s the age group of people who go to bars. Break it down into “hit” songs vs. forgettable songs, and the pool of choices by popularity and era becomes pretty small.

And don’t even get me started on Mash-Ups. Mash-Ups are made by taking two songs that sound similar and re-mixing them together. All this proves is that most music from a certain era all sounds the same. Once people started researching songs that could be Mashed Up, it created a whole new genre. (Hello, Lady Gaga/Madonna!) The DJ’s job is to search for songs that sound the same and overlap them. How hard is that? Once somebody realizes two songs go together, they are indelibly linked because they don’t suddenly become un-matched at any point. DJs share mix combinations like recipes, and once a mix is done in public, any DJ in the audience can easily reproduce it.

I stared DJing in 1975, and I admit I went through the same phase of thinking I had some sort of talent, but I did get over it. I actually posed the question of why DJs think they are important in an article I wrote in a gay paper in Detroit in the late 70s. I wish I could find that article.

End of rant.

22Feb/120

More Ali Mc Graw

Last week on Valentine’s Day, I wrote that I shot video of a rare interview with Ali McGraw. Today, the producer of the show, Marc Huestis, posted a YouTube clip from the interview. It’s one of the many funny, gossipy moments of the show, including how she got fired from “Dynasty”, and the behind the scenes of making that fateful season finale, the Moldavian Massacre.

P.S. For some reason, she looks green in this video. It must have been a green gel on a spotlight, because when the camera pans to the left, the color on the host is correct. Not my fault.

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15Feb/120

A Love Story To Ali McGraw

Ali McGraw

Ali McGraw at a special screening of Love Story


Last night I was honored to videotape an interview with Ali McGraw at a Valentine’s Day screening of “Love Story”. The one-time Hollywood “it” girl and tabloid staple, Ali McGraw has left the Hollywood scene many years ago to lead a more normal life. It was refreshing to hear stories from her amazing life coming from a point of honesty and integrity without an agenda or hype. She was not selling a book, a show, or a movie. She was just there to meet her fans.

Part of Ali McGraw’s ability to back away from the Hollywood machine is because she never intended to be an actress. She was in the fashion industry, first as an assistant to Diana Vreeland, and later a photographer’s stylist, which lead her to modeling and commercials. (We screened her breakout commercial for the Polaroid Swinger camera.)

She was married to Robert Evans, then Head of Production at Paramount, when the studio was in major trouble. Ali had never done any acting before, so it was a big risk that paid off. “Love Story” essentially saved Paramount Studios from being torn down and turned into a cemetery(!). She eventually left Evans to marry Steve McQueen and the two became the tabloid version of Whitney Houston and Bobby Brown of that time.

She told so many detailed stories of having met people like Salvador Dali, Ryan O’Neal, Rock Hudson and CoCo Chanel, but the surprise of the night came when the woman who was Ali McGraw’s “Love Story” stand-in was introduced from the audience. She told how besides being stand-in, she was also in charge of recruiting students to help build the skating rink for the movie and recruiting extras. The toughest part was convincing guys to get their long hair cut to look like “preppies”.

I stayed for the screening of “Love Story”, too. It was a good print, and surprisingly, most of the movie did stand the test of time. The witty banter and snarkyness of Ali McGraw’s character was revolutionary at the time, but it’s now standard fare of sitcoms. The melodrama near the end was just as hokey then as it is now, so I’ll give it a pass, but the relationship of Ryan O’Neal’s character to his father was poorly developed and leaves you wanting more.

And speaking of more, I could have listened to much, much more stories from the lovely Ali McGraw.

5Feb/120

Don’t Dream It, Be It

Barry Bostwick In Drag

Barry Bostwick Shows Up In Drag At Rocky Horror Screening

Rocky Horror Picture Show

Barry Bostwick Shows Up In Drag At Rocky Horror Screening

Last night a gang of us went to see “Rocky Horror Picture Show” at the Castro Theatre, and though it does sound sort of lame or over-done, this event was quite special. Not only has it been 20 years since the film has shown at the Castro, but the special guest was Barry Bostwick, aka Brad Majors, aka ASSHOLE!

Peaches Christ was the hostess, and along with presenting a couple of big production numbers before the show, she also served as interviewer of Barry Bostwick. In a surprise move that shocked even Peaches Christ, 67 year old Barry Bostwick came out on stage in fishnets, high heels, corset and wig! We were all flabbergasted, including Peaches, who had to re-shuffle most of his interview questions, which were no doubt aimed at teasing him about drag. When he actually showed up in drag, it ruined half her planned jokes! And then to prove he’s no shrinking violet, Bostwick laid down on the floor raising one (still very shapely) fish-netted leg straight up in the air to re-create his signature pose from the movie! Everyone was shocked beyond belief.

To be honest, I kinda had the feeling Barry Bostwick might have been a no-show. I always thought he tried to distance himself from being connected with the movie in order to be thought of as more of a serious actor, so I was surprised to see him announced as making an appearance. I kinda thought he might back out at the last minute when he found out how gay the event would be. How wrong could I be? Not only did he show up, he showed up in drag, and his responses to the interview were more twisted and humorous than anyone would ever have expected.

Rocky Horror Picture Show

Barry Bostwick Shows Up In Drag At Rocky Horror Screening

 

But the surprises didn’t end there! At the last minute, Peaches was informed that another celebrity was in the audience who had also portrayed Brad Majors on Broadway. It was none other than Beverly Hills 90210′s Luke Perry! Like Peaches said afterward, “OMG, I used to jerk off to Luke Perry!”

Other trivia I learned about Barry Bostwick is that he originated the role of Danny Zuko in the Broadway production of “Grease” 1971, and he was born right here in San Mateo.

It was nice to see “Rocky Horror Picture Show” again on the big screen. Though I’ve seen it a zillion times, there are so many subtle things going on in the background, you always see something new. Looking back at the film as a cultural phenomenon, I saw it back in 1978, when the concept of yelling at the screen was still new. At that time, midnight screenings hadn’t started yet, people weren’t showing up in costume yet, and there were only a few “catch phrases” that people yelled during the movie. More importantly, at that time it really was shocking to see a guy in drag on screen. I had a hard time believing what I saw. And the scene of Frank N Furter lusting over Rocky during “In Just 7 Days I Can Make You A Man”, got me all tingly. I had never seen that kind of male on male lust portrayed on film before. Remember, there was no home video yet in 1978, and I had only ever seen about 10 minutes of an actual hardcore gay porn movie before.

Peaches had the most prolific quote of the night.

“For me, ‘Rocky Horror’ was my ‘It Gets Better’ video.”

 

Rocky Horror Picture Show

JANET: "I don't like a man with too many muscles." FRANK N FURTER: "I didn't make him for YOU!"

 

31Jan/120

Nick Moretti In National TV Ad

Nick Moretti on Ru Paul's Drag Race

Porn Star Nick Moretti Seen In Commercials On Ru Paul

 

I was watching the Season 4 premier of “Ru Paul’s Drag Race” last night. No shocker there, it’s the law, isn’t it? Anyway, I am always amazed at the commercials on Logo. Other than Absolute Vodka and Orbitz Travel, you mostly just get barraged with promos for other lame shows on Logo. It’s the other sponsors that are interesting. They are mostly really stupid infomercial products like Snuggies and weird kitchen products, but you also get to see some really horrible ads for gay dating sites.

I’ve been in the adult industry for a long time and I thought I knew the main gay hookup sites, but Logo somehow gets sponsored by the strangest companies, especially the gay hookup companies. I cringe when I hear the dialogue. What losers actually use those services? Some are still doing phone sex! How 1990′s!

But the reason I brought this up is,  during “Ru Paul’s Drag Race” last night they ran commercials for a gay dating site (can’t remember the name) but it had Nick Moretti as one of the models! He was in a montage of individual shots and then the group shot at the end of the commercial. How weird to see one of your friends – porn star, no less – in a national TV spot!

UPDATE: Here is a link to the video on Facebook, it’s for a phone sex company.

 

CLICK HERE TO SEE NICK MORETTI IN ACTION

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