kenneth marlow MR. MADAME a great novel of the gay life

photos via queer music heritage & salmon gutter
“I met Kenneth Marlow in 1972 when he was in the process of becoming Kate Marlowe. He threw a fundraising Big Band dance at which Sally Rand (then 70) performed her famous Fan Dance under a VERY DIM blue bulb. He called the evening “The Ball to End All Balls.” When I interviewed her later (Kate) she told me she’d grown up in a whorehouse in Winnemucca, Nevada. I’m not at all sure if that was true but it was a fascinating detail, so I appropriated it for Anna Madrigal in “Tales of the City”- armistead maupin
Advertising circular for Mr. Madam Collection Victor Minx:
Kenneth Marlow was an active homosexual, a female impersonator, a male whore in an all femaie cathouse and the “madam” of a homosexual whorehouse that “serviced” an exclusive Hollywood clientele. He was kept in sexual bondage by the Mafia and escaped. He was drafted into the army and raped by fourteen men. He was a mark for every form of sexual atrocity, the lumberjack’s darling, the sailor’s pet, the “bar girl” who could be had. Mr. Madam is… THE WORLD’S MOST INTERESTING MAN!
African-American Male Couples Through The Years: A Photographic Essay
The following essay and stunning photographs come to HuffPost Gay Voices courtesy of Trent Kelley, a Texas-based playwright. Kelley, who says he collected most of the photographs on eBay, in flea markets and in estate sales, writes:
Afro American same-sex loving gay men who where coupled with one another in the distant past walked the streets, ate at the dinner tables, and generally participated in their larger ethnic community out in the open, their relationships known only to those who were consequential to their everyday lives. In this respect, they were out in the open but hidden to those who didn’t know about their sexual proclivities. Hence, the title of this series of pictures dating from the mid 19th century to the late 20th century is “Hidden in the Open: A Photographic Essay of Afro-American Male Couples.”
Some of these images are sure to depict gay couples, whereas others may not. The end result is speculative at best, for want in applying a label. Not every gesture articulated between these men is an indication of male-to-male intimacies. Assuredly, what all the photographs have in common are signs of Afro-American male affection and love that were recorded for posterity without fear and shame. Friendships where men often wrote romantically to one another, walked arm in arm were not uncommon to straight and gay men alike during the 19th and early 20th centuries. Depending on economic situation, many even slept together and this may have precluded or included physical intimacy between the sheets.
But there were past generations of Afro American gay men who lived and love bravely. They exist in these photographs. Like today’s gay male of African descent, the majority of them were never victims who whined nor required rescuing. Their presence here defy a lesbian, gay, bisexual and transgender (LGBT) community often wanting to make them an impotent footnote absent of any self-empowerment within gay culture and those vocally homophobic pockets within a black community wanting to write these men out of the narrative to Afro-American history.
CHECK OUT KELLEY’S FLICKR COLLECTION HERE!
Watch Trent Kelley Interview After The Jump
theodore shaw
“Following complaints that they had received for several weeks that a beautiful brunette had been getting into expensive cars on Massachusetts Ave. and subsequent complaints that the brunette had run up big food and entertainment bills on “her” victims, and then disappeared, Boston Police started an investigation. Several nights ago a policeman saw “her” and “she” entered an expensive-make car. They had received information that the brunette had larger feet than a woman, and felt sure that they had the right one. They took the “lady” to the station where “she” was revealed as Theodore Shaw. He told police how he fooled the “suckers” and ate their food, while he made “goo-goo” eyes at them.” – May 5, 1931
via valentino vamp
trish keenan (via rookie mag)
Taken from Broadcast and The Focus Group’s collaborative mini album ‘Broadcast and The Focus Group Investigate Witch Cults Of The Radio Age’
ROOKIE
R.I.P.spect : Etta James
Nina Simone – Why? (The King of Love is Dead) [Full Live Version] via jockohomo
“Recorded on April 7, 1968, live three days after the death of Martin Luther King, Jr. and performed at the Westbury Music Fair. Nina Simone dedicated her performance to King’s memory. The song was written by her bass player, Gene Taylor. An edited version of this performance appears on Simone’s album, Nuff Said (1968).”
coretta scott king on gay & lesbian rights (via world of wonder)
Source: Reuters, March 31, 1998.
Coretta Scott King, speaking four days before the 30th anniversary of her husband’s assassination, said Tuesday the civil rights leader’s memory demanded a strong stand for gay and lesbian rights.
“I still hear people say that I should not be talking about the rights of lesbian and gay people and I should stick to the issue of racial justice,” she said. “But I hasten to remind them that Martin Luther King Jr. said, ‘Injustice anywhere is a threat to justice everywhere.’” “I appeal to everyone who believes in Martin Luther King Jr.’s dream to make room at the table of brother- and sisterhood for lesbian and gay people,” she said.
















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